Public Humanities

“The Drag of Being Bond.” Mid Theory Collective, December 18, 2025. Link here.

“Seriality and Slow Grief.” Los Angeles Review of Books, December 11, 2024. Link here.

Articles

“Humanities Future; or, Don’t Quit Lit.” Victorian Poetry. Forthcoming.

“Laments for Little Nell: Serial Grieving and White Sentiment.” Studies in the Literary Imagination. Forthcoming.

“Refusing Resonance: On the Whiteness of Edmund Kean.” The Hare 5.2 (2021). Link here.

“Reviewing Ira Aldridge: Red Velvet and Revisionist Narrative.” Borrowers and Lenders 13.1 (2020). Link here.

“Audiences Writing Race in Shakespeare Performance.” Shakespeare Studies 47 (2019): 112-119.

“Epistolary Liveness: Narrative Presence and the Victorian Actress in Letters.” Theatre Survey 60.2 (2019): 237-60. Link here.

“Keyword: Performance.” Victorian Literature and Culture 46.3/4 (Fall/Winter 2018): 795-99. Link here.

“‘Mere Lookers-On at Life’: Point of View and Spectator Narrative.” Nineteenth Century Theatre and Film 44.2 (2017): 154-72. Link here.

Book Chapters

“Shakespeare, Spectators, and the Meaning of Race on Stage.” Shakespeare On Stage and Off. Eds. Alysia Kolentsis and Kenneth Graham. Kingston: McGill-Queen’s University Press, 2019.

“Becoming Caliban: Monster Methods and Performance Theories.” Oxford Handbook of Shakespeare and Embodiment: Gender, Sexuality Race. Ed. Valerie Traub. Oxford: Oxford University Press, 2016. 

Review Essays

Review of The Victorian Actress in the Novel and On the Stage by Renata Kobetts Miller. Victorian Studies 63.4 (2021): 605-07. Link here.

“The Long Run of Victorian Theater.” Victorian Literature and Culture 48.3 (Fall 2020): 623-31. Link here.